الإنجليزية 1443

This book contains sixteen essays on different aspects of Indian art, iconography and numismatics. The first one deals with the literary history of Svayambhu Brahma, the god of creation, referring to his earliest representations in stone and clay, pushing back the antiquity of his portrayal to second century bce on numismatic evidence and delineating his different roles as known through sculptural art. Numerous terracottas of different types from Sugh near Yamunanagar in Haryana published here will establish its place comparable to Ahichchhatra, Kaushambi and Mathura. The site has yielded evidence of the earliest portrayal and deification of Rama and Hanuman, the former corroborated by numismatic evidence also going back to second century bce. Glyptics from Sanghol prove that the multiplication of hands of Siva started in the Parthian period and also portray the god as holding trident and sword. Sword in Siva's hand at such an early period is a rare occurrence and has been explained with reference to literary evidence from the Mahabharata