انگلیسی 1383

Nataraj is not only the lord of dance and rhythm but he also symbolises classical music. His body is made of melody (Nada Tanu) and he shares this propensity with Saraswati, his sister. India's heritage of music is yet to be discovered and fully appreciated. Planted in the rich soil of mythology, philosophy and folk idiom, classical music has sprouted foliage and flowers of exquisite beauty. This book is a pleasing work that will satisfy the general reader as well as the serious student. A knowledge of raga, tala and musical form is necessary to fully enjoy a concert. In addition, we need to know the basic differences between the two sister systems - the Hindustani and the Karnatak. Both these highly complex art forms originate from the same ancient tradition. The first section explains these pre-historic beginnings. The idea of raga, the method of calculating time in rhythm, and the profusion of musical instruments form this ancient musical heritage are explained. The second section chronicles the evolution of Hindustani music from Tansento the present day. The ragas and the 'Thaats' (basic scales) on which they are based has been clarified. Chapters on the important musical instruments along with the ustads, on the Tala and Theka structures and renowned percussion experts, on musical forms and their gharanas - give the different aspects. Ragamala paintings are an important part of music history and theory. The third section is on Karnatak music, it deals with the historical progress of this genre. The major vidwans from the 14 century AD have been chronicled. The highly scientific Mela (scale) system that encompasses the ragas, the mathematical accuracy of talal rhythms, the importance of words and lyric in the Kriti and Pallavi forms, the various important musical instruments, - are all given in succinct form.